Wild West was a situation comedy screened from October 2002 until 2004.
Strange things happen in St Gweep......
The small Cornish town is host to all manner of odd occurrences, in Simon Nye's dark comedy. Dawn French and Catherine Tate star as Mary and Angela - a tempestuous lesbian couple, who will do anything to preserve their village from the hordes of holiday home buyers and thrill-seeking bungee-jumpers. Pretty much all outsiders are a target for suspicion.
Runtime: 30 minutes
Wild West - American frontier - Netflix
The American frontier comprises the geography, history, folklore, and cultural expression of life in the forward wave of American expansion that began with English colonial settlements in the early 17th century and ended with the admission of the last mainland territories as states in 1912. “Frontier” refers to a contrasting region at the edge of a European-American line of settlement. American historians cover multiple frontiers but the folklore is focused primarily on the conquest and settlement of Native American lands west of the Mississippi River, in what is now the Midwest, Texas, the Great Plains, the Rocky Mountains, the Southwest, and the West Coast. In 19th- and early 20th-century media, enormous popular attention was focused on the Western United States in the second half of the 19th century, a period sometimes called the “Old West” or the “Wild West”. Such media typically exaggerated the romance, anarchy, and chaotic violence of the period for greater dramatic effect. This eventually inspired the Western genre of film, which spilled over into comic books, and children's toys, games and costumes. This era of massive migration and settlement was particularly encouraged by the Colonial and early United States government following the Louisiana Purchase, and coined the term and political philosophy known as “Manifest Destiny”. As defined by Hine and Faragher, “frontier history tells the story of the creation and defense of communities, the use of the land, the development of markets, and the formation of states.” They explain, “It is a tale of conquest, but also one of survival, persistence, and the merging of peoples and cultures that gave birth and continuing life to America.” Through treaties with foreign nations and native tribes; political compromise; military conquest; establishment of law and order; the building of farms, ranches, and towns; the marking of trails and digging of mines; and the pulling in of great migrations of foreigners, the United States expanded from coast to coast, fulfilling the dreams of Manifest Destiny. Historian Frederick Jackson Turner in his “Frontier Thesis” (1893) theorized that the frontier was a process that transformed Europeans into a new people, the Americans, whose values focused on equality, democracy, and optimism, as well as individualism, self-reliance, and even violence. Thus, Turner's Frontier Thesis proclaimed the westward frontier to be the defining process of American history. As the American frontier passed into history, the myths of the West in fiction and film took a firm hold in the imagination of Americans and foreigners alike. In David Murdoch's view, America is “exceptional” in choosing its iconic self-image: “No other nation has taken a time and place from its past and produced a construct of the imagination equal to America's creation of the West.”
Wild West - Historiography - Netflix
It is easy to tell who the bad guys are – they are almost invariably white, male, and middle-class or better, while the good guys are almost invariably non-white, non-male, or non-middle class.... Anglo-American civilization....is represented as patriarchal, racist, genocidal, and destructive of the environment, in addition to hypocritically betrayed the ideals on which it supposedly is built.
Scores of Turner students became professors in history departments in the western states, and taught courses on the frontier. Scholars have debunked many of the myths of the frontier, but they nevertheless live on in community traditions, folklore and fiction. In the 1970s a historiographical range war broke out between the traditional frontier studies, which stress the influence of the frontier on all of American history and culture, and the “New Western History” which narrows the geographical and time framework to concentrate on the trans-Mississippi West after 1850. It avoids the word “frontier” and stresses cultural interaction between white culture and groups such as Indians and Hispanics. History professor William Weeks of the University of San Diego argues that in this “New Western History” approach:
However, by 2005, Aron argues, the two sides had “reached an equilibrium in their rhetorical arguments and critiques”. Meanwhile, environmental history has emerged, in large part from the frontier historiography, hence its emphasis on wilderness. It plays an increasingly large role in frontier studies. Historians approached the environment from the point of view of the frontier or regionalism. The first group emphasizes human agency on the environment; the second looks at the influence of the environment. William Cronon has argued that Turner's famous 1893 essay was environmental history in an embryonic form. It emphasized the vast power of free land to attract and reshape settlers, making a transition from wilderness to civilization. Journalist Samuel Lubell saw similarities between the frontier's Americanization of immigrants that Turner described and the social climbing by later immigrants in large cities as they moved to wealthier neighborhoods. He compared the effects of the railroad opening up Western lands to urban transportation systems and the automobile, and Western settlers' “land hunger” to poor city residents seeking social status. Just as the Republican party benefited from support from “old” immigrant groups that settled on frontier farms, “new” urban immigrants formed an important part of the Democratic New Deal coalition that began with Franklin Delano Roosevelt's victory in the 1932 presidential election. Since the 1960s an active center is the history department at the University of New Mexico, along with the University of New Mexico Press. Leading historians there include Gerald D. Nash, Donald C. Cutter, Richard N. Ellis, Richard Etulain, Margaret Connell-Szasz, Paul Hutton, Virginia Scharff, and Samuel Truett. The department has collaborated with other departments and emphasizes Southwestern regionalism, minorities in the Southwest, and historiography.
Wild West - References - Netflix