The alien invader Rodak plots to conquer the Earth. He first warns the Mura family (father Atsushi, mother Tomoko and son Mikko) of their invasion, and demonstrates his powers by transporting them to a prehistoric jungle and destroying a Giant Dinosaur (in reality, Agon, the title monster of a serialized Godzilla-like TV movie.) before their very eyes. But they will not agree to surrender to Rodak, so hope comes in the form of Goldar, an armored, golden giant with long hair and antennas. He and his human-sized wife Silvar, both created by the wizard Earth (who sure enough lives deep beneath the Earth), are sent to defend our world against Rodak. They befriend Atsushi and Mikko, the latter has Rodak emotionally touched, as he wanted to have a child with his wife Silvar, so Earth creates a duplicate of Mikko, named Gam (who wears a helmet with antennas). Earth gives Mikko a whistle, with w...
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The Space Giants - Land of the Giants - Netflix
Land of the Giants is an hour-long American science fiction television program lasting two seasons beginning on September 22, 1968, and ending on March 22, 1970. The show was created and produced by Irwin Allen. Land of the Giants was the fourth of Allen's science fiction TV series. The show was aired on ABC and released by 20th Century Fox Television. The series was filmed entirely in color and ran for 51 episodes. The show starred Gary Conway and special guest star Kurt Kasznar. Five novels are based on the television series, including three written by acclaimed science fiction author Murray Leinster, were published in 1968 and 1969.
The Space Giants - Production - Netflix
The cost of production was immense, partly because of the special optical effects needed to matte the little people into shots also showing the giants; and partly because of the gigantic mechanical props needed, for the little people to interact with, in shots depicting the giant-sized world they find themselves in; plus the futuristic spacecraft sets that were needed to represent the Spindrift. Because of the enormous cost, it was more efficient and cost-effective to film episodes in pairs using the same sets; so writers were informed about what giant-size props there were available, which they could incorporate into their storylines. These episodes were filmed back-to-back. To save on production costs, Allen was not above using the same device he had employed on The Time Tunnel: re-using stock footage from 20th Century Fox's film library. For instance, in the episode Collector's Item, footage of Wayne Manor from Batman is recycled as the luxury mansion home of a rich giant. In the unaired pilot of The Crash, there is no end scene with the giant dog in the garbage dump. Once it had been confirmed that Land of the Giants had been picked up by the network, the pilot was reworked and production began on succeeding episodes. However, a break in production occurred after 12 episodes were in the can (enough for a short run as a mid-season replacement), until the show received the green light on the decision to launch it as a full season the following fall.
The show was created by Irwin Allen. With a budget of US$250,000 per episode, Land of the Giants set a new record. The actors had to be physically fit, as they had to do many stunts, such as climbing giant curbs, phone cords and ropes. Don Marshall, who played the part of Dan Ericson, credited his previous football, track and pole vaulting work for helping him with the stunts required. Elements of Allen's Lost in Space series recur in Land of the Giants, notably the relationship between foolish, greedy, on-the-run bank robber Alexander B. Fitzhugh (Kurt Kasznar) and the young boy Barry Lockridge (Stefan Arngrim), paralleling the relationship on Lost in Space between Doctor Smith and the young Will Robinson. Also, for main cast billing, Kasznar was treated contractually in the same manner as Jonathan Harris had been on Lost In Space: billed in last place on the opening credit sequence, but billed as Special Guest Star (even though he was a series regular). Apart from this, Gary Conway received solo star billing in the opening credits, with the other regulars all receiving also starring billing. The show was originally intended to premiere as a mid-season replacement in the spring of 1968, and the first 12 episodes were shot in the fall of 1967. This was changed and Giants premiered in September 1968 for a full season. The network screened the episodes in a significantly different order to the production sequence. This caused disconcerting lapses in continuity, since in the first 12 episodes filmed (but not in later episodes) the Giants moved slowly and hardly spoke. For example, “Ghost Town” was the 14th episode filmed (i.e. was not one of the original 12 episodes), but was the second episode aired.
The Space Giants - References - Netflix