Marvel's Agents of S.H.I.E.L.D.: Slingshot is set in the world of the hit television series Marvel's Agents of S.H.I.E.L.D. Taking place shortly before the beginning of Season 4, this digital series features the character of Elena "Yo-Yo" Rodriguez, an Inhuman with the ability to move with super-speed. As a person with powers, she must sign the recently instituted Sokovia Accords, the worldwide agreement that regulates and tracks those with super powers. However, the restrictions of the Accords are in direct conflict with a personal mission she's desperate to fulfill, a mission that will test her abilities, her allegiances, and will include some tense encounters with our most popular S.H.I.E.L.D. team members.

Marvel's Agents of S.H.I.E.L.D.: Slingshot - Netflix

Type: Scripted

Languages: English

Status: Ended

Runtime: None minutes

Premier: 2016-12-13

Marvel's Agents of S.H.I.E.L.D.: Slingshot - Marvel Cinematic Universe - Netflix

The Marvel Cinematic Universe (MCU) is an American media franchise and shared universe that is centered on a series of superhero films, independently produced by Marvel Studios and based on characters that appear in American comic books published by Marvel Comics. The franchise has expanded to include comic books, short films, television series, and digital series. The shared universe, much like the original Marvel Universe in comic books, was established by crossing over common plot elements, settings, cast, and characters. Phil Coulson, portrayed by Clark Gregg, is an original character to the MCU and the only character to appear across all its different media. The first film released in the MCU was Iron Man (2008), which began the first phase of films culminating in the crossover film Marvel's The Avengers (2012). Phase Two began with Iron Man 3 (2013), and concluded with Ant-Man (2015). The films are currently in Phase Three, which began with the release of Captain America: Civil War (2016) and is set to conclude with an untitled Avengers film (2019). Marvel Television expanded the universe further, first to network television with Marvel's Agents of S.H.I.E.L.D. on ABC in the 2013–14 television season, followed by online streaming with Marvel's Daredevil on Netflix in 2015 and Marvel's Runaways on Hulu in 2017, and then to cable television with Marvel's Cloak & Dagger in 2018 on Freeform. Marvel Television has also produced the digital series Marvel's Agents of S.H.I.E.L.D.: Slingshot, which is a supplement to Agents of S.H.I.E.L.D. Soundtrack albums have been released for all of the films, along with many of the television series, as well as the release of compilation albums containing existing music heard in the films. The MCU also includes tie-in comics published by Marvel Comics, while Marvel Studios has also produced a series of direct-to-video short films and a viral marketing campaign for its films and the universe with the faux news program WHIH Newsfront. The franchise has been commercially successful as a multimedia shared universe, though some critics have found that some of its films and television series have suffered in service of the wider universe. It has inspired other film and television studios with comic book character adaptation rights to attempt to create similar shared universes. The MCU has also been the focus of other media, outside of the shared universe, including attractions at various Walt Disney Parks and Resorts, an attraction at Discovery Times Square, a Queensland Gallery of Modern Art exhibit, two television specials, guidebooks for each film, multiple tie-in video games, and a commercial with Coca-Cola.

Marvel's Agents of S.H.I.E.L.D.: Slingshot - Crossovers to feature films - Netflix

Agents of S.H.I.E.L.D. executive producer Jeffrey Bell revealed at the show's 2014 PaleyFest panel that the producers and writers are able to read the screenplays for upcoming MCU films to know where the universe is heading. He noted that since the films have to be “big” and move “quickly through a lot of huge pieces”, it is beneficial for the films to have the television series fill in any “gaps” for them. His fellow executive producer Jed Whedon explained that each Marvel project is intended to standalone first before there is any interweaving, and noted that the series has to be aware of the film division's plans so as not to interfere when introducing someone or something to the universe. Bell said this was preferable so that people who do not watch the films can still follow the series, and vice versa. Joss Whedon noted that this process “unfortunately just means the TV show gets, you know, leftovers.” He stated that, for example, the series' creative team initially wanted to use Loki's scepter from The Avengers but were unable due to his plans for it in Avengers: Age of Ultron. In April 2014, Quesada stated that, beyond connecting to themselves, the Netflix series would connect with the films and other television series. In October 2014, Feige said the opportunity “certainly” exists for characters in the Netflix series to appear in Avengers: Infinity War. In March 2015, Loeb spoke on the ability for the Netflix series to crossover with the films and the ABC series, saying, “As it is now, in the same way that our films started out as self-contained and then by the time we got to The Avengers, it became more practical for Captain America to do a little crossover into Thor 2 and for Bruce Banner to appear at the end of Iron Man 3. We have to earn that. The audience needs to understand who all of these characters are and what the world is before you then start co-mingling”. In September 2015, Feige elaborated on the films referencing the television series, saying "I think that's inevitable at some point ... The schedules do not always quite match up to make that possible. It's easier for [the shows]. They're more nimble and faster and produce things quicker than we do, which is one of the main reasons you see the repercussions of Winter Soldier or [Avengers: Age of Ultron] in the show ... by the time we start doing a movie, they'd be mid-way through a season. By the time our movie comes out, they'd be [starting the next season]. So finding the timing on that is not always easy. Loeb talked further on the subject in July 2016, reiterating the issue of scheduling by saying “if I'm shooting a television series and that's going to go on over a six-month or eight-month period, how am I going to get [a television series actor] to be able to go be in a movie?” He noted that this would not be as much of an issue if characters were making very minor cameo appearances, but explained that Marvel was not interested in cameos and easter eggs just for the sake of fan service, which could detract from the story being told; “As I often get reported by you folks for saying #ItsAllConnected, our feeling is that the connection isn't just whether or not somebody is walking into a movie or walking out of a television show. It's connected in the way that the shows come from the same place, that they are real, that they are grounded.” Eric Carroll, producer on Spider-Man: Homecoming, felt with the introduction of Queens-based Spider-Man to the MCU it “would be really fun” to make mention of the Defenders based in Manhattan, adding, “it's definitely a card I would love to see played, if not sooner rather than later.” In January 2017, Vincent D'Onofrio, who portrays Wilson Fisk in Daredevil, said he “would love to switch over to the movies, but I think it's pretty much been said it's not going to happen. Or at least not for a very, very long time.” D'Onofrio cited Feige's previous reasoning as well as the fact that the films already had difficulty “bringing big characters in that they have to service in the writing” and adding characters from the television series would be “just too many characters” since the films were “trying to figure out already how to individualize more and at the same time keep The Avengers going.” In March 2017, Anthony Mackie, who portrays Sam Wilson / Falcon in the films, felt a crossover between the films and television series “wouldn't work at all” given they are “different universes, different worlds, different companies, different designs” and that “Kevin Feige is very specific about how he wants the Marvel Universe to be seen in the film world.” That May, Feige noted that a character appearing in a television series would not necessarily exclude them from appearing in a film, adding that “at some point, there's going to be a crossover. Crossover, repetition, or something.” Regarding the potential for the Avengers to learn in the films that Phil Coulson is alive, Loeb stated, “It's certainly something that will get resolved, and it may get resolved in a very surprising way.” Loeb said in July 2017 that Marvel Television had no plans for series to crossover across networks. Specifically for the similarly themed Cloak & Dagger, New Warriors, and Runaways, which all deal with young heroes, Loeb noted “You'll see things that comment on each other; we try to touch base wherever we can... things that are happening in L.A. [where Runaways is set] are not exactly going to be affecting what's happening in New Orleans [where Cloak & Dagger is set]... It's being aware of it and trying to find a way for it to be able to discuss in a way that makes sense.” He added in October that scheduling of each series factors into why crossovers between them are more difficult to pull off, and that network “feelings” need to be considered. He also spoke on why the television series do not show Avengers Tower as it appears in the films when they depict New York City, and stated that Marvel Television wanted to be “less specific” about the television characters' relationships to the tower because that “helps the audience understand that this could be on any street corner” and that the characters could be in an area of the city where you would not be able to see the tower, even though it exists. In June 2018, speaking to how the MCU television series would be affected by the events of Avengers: Infinity War, Loeb noted that “For the most part our stories will take place before Thanos clicked his fingers. A lot of that has to do with production and when we are telling our stories versus when the movies come out.”

Marvel's Agents of S.H.I.E.L.D.: Slingshot - References - Netflix