500 feet beneath the ocean's surface, the U.S. ballistic missile submarine Colorado receive their orders. Over a radio channel, designed only to be used if their homeland has been wiped out, they're told to fire nuclear weapons at Pakistan. Captain Marcus Chaplin demands confirmation of the orders only to be unceremoniously relieved of duty by the White House. XO Sam Kendal finds himself suddenly in charge of the submarine and facing the same difficult decision. When he also refuses to fire without confirmation of the orders, the Colorado is targeted, fired upon, and hit. The submarine and its crew find themselves crippled on the ocean floor, declared rogue enemies of their own country. Now, with nowhere left to turn, Chaplin and Kendal take the sub on the run and bring the men and women of the Colorado to an exotic island. Here they will find refuge, romance and a chance at a new life, even as they try to clear their names and get home.
Runtime: 60 minutes
Last Resort - The Last Resort (Eagles song) - Netflix
“The Last Resort” is a song written by Don Henley and Glenn Frey, which tells about how man inevitably destroys the places he finds beautiful. It was originally released on the Eagles' album Hotel California on December 8, 1976. It was subsequently released as the B-side of “Life in the Fast Lane” single on May 3, 1977. In a 1978 interview with Rolling Stone, Henley said: “'The Last Resort', on Hotel California, is still one of my favorite songs... That's because I care more about the environment than about writing songs about drugs or love affairs or excesses of any kind. The gist of the song was that when we find something good, we destroy it by our presence — by the very fact that man is the only animal on earth that is capable of destroying his environment. The environment is the reason I got into politics: to try to do something about what I saw as the complete destruction of most of the resources that we have left. We have mortgaged our future for gain and greed.”
Last Resort - Composition - Netflix
Frey referred to the song as “Henley's opus.” Henley recalled that he had been reading about “the raping and pillaging of the West by mining, timber, oil and cattle interests” at the time he wrote the song. He said that he wanted to expand the song's scope even further, and so he “tried to go 'Michener' with it,” but was never totally satisfied with how it came out.
On an episode of In the Studio with Redbeard (which devoted an entire episode to the making of Hotel California), Frey stated:
I have to give all the credit for 'The Last Resort' to (Don) Henley. It was the first time that Don, on his own, took it upon himself to write an epic story. We were very much at that time, concerned about the environment and doing anti-nuclear benefit (concerts). It seemed the perfect way to wrap up all of the different topics we had explored on the Hotel California album. Don found himself as a lyricist with that song, kind of outdid himself...We're constantly screwing up paradise and that was the point of the song and that at some point there is going to be no more new frontiers. I mean we're putting junk, er, garbage into space now. There's enough crap floating around the planet that we can't even use so it just seems to be our way. It's unfortunate but that is sort of what happens.